Another Harry Potter: the Quest behind the scenes video, this one with a look at the flight in the eight Harry Potter films. And mostly Quidditch.
Photo: YouTube/Warner Bros. Entertainment
Photo: YouTube/Warner Bros. Entertainment
In July it all ends..
A benefit for BC/EFA, the Easter Bonnet Competition ends a six-week period of intensive fundraising by the assorted Broadway and Off-Broadway shows. Curtain speeches, autographed posters and program sales, auctions and cabaret performances are all part of the fundraising effort, which brings in hundreds of thousands of dollars. The company that raises the most funds for BC/EFA will be awarded a prize at the Easter Bonnet Competition. A second prize will be awarded to the company with the best bonnet design and presentation. Additional awards will be presented to the Broadway play, national tour and Off-Broadway production raising the most money.
The 24 previous editions of the Easter Bonnet Competition have raised more than $42 million for BC/EFA. Broadway Cares/Equity Fights AIDS is the nation's leading industry-based, nonprofit AIDS fund-raising and grant-making organization..
A slew of current Broadway stars are also set to appear at the Easter Bonnet Competition, including Robin Williams, Judith Light, Dan Lauria, Christie Brinkley, John Leguizamo, Heidi Blickenstaff, Roger Rees, Josh Gad, Andrew Rannells, Jose Llana, Renee Elise Goldsberry, Jayne Houdyshell, Maxwell Caulfied, Ron Kunene and Tshidi Manye.source: broadway.com
The onstage performances will be judged by Nick Adams, Montego Glover, Bobby Lopez, Actors' Equity Association Executive Director Mary McColl, Casey Nicholaw, Marty Pakledinaz, Estelle Parsons, Kate Shindle and Kathleen Turner.
Kerry Butler will close the show with the traditional performance of the event's anthem, David Friedman's "Help Is On the Way." The show will also include a special tribute to Doris Eaton Travis, an original Ziegfeld Girl and veteran of 12 Easter Bonnet editions until her death last year at age 106.
Current productions scheduled to perform and present bonnets include The Addams Family, Avenue Q, Billy Elliot, Bengal Tiger at the Baghdad Zoo, Chicago, Freud's Last Session, La Cage aux Folles, The Lion King, Mamma Mia!, The Phantom of the Opera, Priscilla Queen of the Desert, the national tours of Les Misérables, The Lion King and Wicked, as well as Dancers Responding to AIDS and R.Evolución Latina.
The cast from How to Succeed (with Daniel Radcliffe ofcourse) : Rose Hemingway as Rosemary Pilkington, Tammy Blanchard as Hedy La Rue, Christopher J. Hanke as Bud Frump, Rob Bartlett as Twimble/Wally Womper, Mary Faber as Smitty, Ellen Harvey as Miss Jones, Michael Park as Bert Bratt and Anderson Cooper as the voice of the narrator, Cameron Adams, Cleve Asbury, Tanya Birl, Kevin Covert, Paige Faure, David Hull, Justin Keyes, Marty Lawson, Erica Mansfield, Barrett Martin, Nick Mayo, Sarah O'Gleby, Stephanie Rothenberg, Megan Sikora, Michaeljon Slinger, Joey Sorge, Matt Wall, Ryan Watkinson, Charlie Williams and Samantha Zack.
The new film is just a relentless action movie... It just. Does. Not. Stop ~Daniel RadcliffePhoto: EW
It Chronicles "Deathly Hallows"
Heyman and Barron told us that Morgan Matthews, an award-winning British filmmaker, shot the "Potter" documentary on the set of "Deathly Hallows," which means that the doc is as current as it's going to get when it comes to the magical mythos. From tragic deaths to happy endings, this documentary should run the whole "Potter" gamut from start to finish.
It's Extensive
Matthews had full access to key creative talents both behind the scenes and in front of the cameras in the "Potter" universe, resulting in "a documentary that is not yet complete" but should contain memorable interactions with your favorite stars.
It's Emotional
Don't bank on a happy-go-lucky "Potter" documentary. Just as the series gets progressively darker, Matthews' work chronicles all of the emotions that go into the filmmaking process: "[It] shows the challenges of making the film — the tolls it takes on the actors and crew," says Heyman. "It's not just pure gloss and everybody's happy. It's real. At the same time, it's really, really funny.
A Tease
To give fans a sense of what's in store in this "Potter" documentary, Heyman teased an exchange between Matthews and star Daniel Radcliffe: "Morgan comes in to interview Dan in his dressing room, and Dan says, 'Will you wait one second? I want to watch the 2:50 at Doncaster,' which is a horse race. He says, 'Yeah, I bet on it.' 'How much?' 'Ten quid.' And the horse, of course, comes in way behind the back."
hammerfilms Guys and girls the UK release date of #TheWomanInBlack is obviously Feb 10th 2012 not 2011! You haven't missed it!!
hammerfilms Q&A time at #Kapow! Director James Watkins tells IGN that fans will be amazed by Daniel's dark performance post Potter!
hammerfilms Mean and moody shot of Daniel Radcliffe as Arthur Kipps on the big screen at #Kapow! This man has an axe to grind!
hammerfilms #TheWomanInBlack World Exclusive teaser gets a huge round of applause at #Kapow! Wow, that is one creepy eye!
10 April 2011, London, UK – Momentum Pictures, an Alliance Films company, are proud to announce that the highly anticipated big screen adaptation of THE WOMAN IN BLACK will be released in UK cinemas on 10 February 2012.Photo: Comic Con
Based on the classic ghost story, THE WOMAN IN BLACK tells the tale of Arthur Kipps (Daniel Radcliffe), a lawyer who is forced to leave his young son and travel to a remote village to attend to the affairs of the recently deceased owner of Eel Marsh House.
Working alone in the old mansion, Kipps begins to uncover the town’s tragic and tortured secrets and his fears escalate when he discovers that local children have been dying under mysterious circumstances. When those closest to him become threatened by the vengeful woman in black, Kipps must find a way to break the cycle of terror.
THE WOMAN IN BLACK also stars Ciaran Hinds (TINKER, TAILOR, SOLDIER, SPY) and Janet McTeer (TUMBLEWEEDS), was adapted from Susan Hill’s novel for the screen by Jane Goldman (KICK ASS) and directed by James Watkins (EDEN LAKE).
"I just want to send all my love and support and say that we, all the cast of Harry Potter, are thinking of you and sending love and all the best wishes in the world for the reconstruction from here on"
SnitchSeeker: Since this is Harry Potter, and you’ve all worked with Dan Radcliffe, what’s your favorite scene or experience with him?Photo: Warner Bros.
Robbie Coltrane: Well, my favorite thing is his terrible jokes. He went through a period, do you remember about three years ago, when he decided he was going to become a stand up comedian. He’d tell me jokes that my father told me about fifty years ago. And I’d go, “Timing, Dan. Better timing in that.” But they were terribly funny because he was so earnest. He’s always been terribly earnest and determined to get it right. He’d say, “You’ll love this one. You’ll love this one.” And I’d go, “Ok, yeah.”
Helen McCrory: He’s also got a great knowledge of music. Two Christmases ago I really decided I’ve got to stop listening to Stones and Dylan and try and lurch myself loose into the twentieth, if not twenty-first, century. He was fantastic and wrote lists and lists of brilliant albums, all of which my husband owns now, which was bought for Christmas presents. He’s a real music-head. He’s passionate.
David Barron: He’s just fun and funny. She’s so interested in everything and everybody. He’s really brilliant. He’s a real leader on the set because he’s really motivated to make anybody who’s new, either in crew or cast terms, just made to feel comfortable and settle in as if they’re part of the family that had developed over the years. He’s a really, really impressive young man, but he’s also very funny – loves to joke around and loves a laugh.
Helen McCrory: Let’s start making things up now. (laughs)
Freddie Stroma: I can completely agree with David. I came on late in the films. I can in for my first ever costume fitting and he introduced himself to me. Then I saw him again three weeks later and he came straight up to me, “Hi, Freddie, how are you doing?” He completely remembered my name. He meets hundreds of people all the time, constantly. He will still remember your name and everything. It’s really quite amazing. Just such a lovely guy.
David Thewlis: I remember when we were doing the scene where he changes into [seven] different Harrys. The first AD (assistant director) snapped at him about something, or something wasn’t going right, and about 30 minutes later apologized. He said, “Sorry, Dan. It’s been a long week, so I really apologize” and Dan came straight back, saying, “It’s been a long adolescence, mate,” with an expletive in there, as well.
Warwick Davis: I’d like to talk about Dan for a minute, Echoing what everyone said, his enthusiasm and energy is boundless, and really is infectious when you’re on the set, which is useful when you’re under four hours of prosthetic make up. You need somebody to give you a bit of a boost and increase your energy.
Just remembering back, having worked with him on all of the films, Dan was very, very young, 9 or 10 when we started. I think I was taller than Daniel when we started. I remember filming the sequence in Gringott’s Bank. He came up to the counter and Chris Columbus was particularly keen for Dan to be a bit shocked when he first sees the goblin bank teller peering over the desk at him. He whispered to me before Dan’s close up, “When we get to this close up, as Dan approaches the bench, can you make some sort of scary noise and make him to jump so that we can get a shocked reaction?” I said, “That’ll be fine. I’ll sort that out.” I had all the face make up on, so that’d be no problem. So the cameras rolled. Chris shouted action. Dan walks up and I went, “BLAHHHH!” like that. Daniel just stood there for a second and then burst out laughing. It had completely the opposite effect than we’d desired. He’s just a brilliant lad to work with. He’s done so well. And just to have gotten through all these films and been so consistent, it’s quite an achievement, really.
David Barron: It was growing up, too, that’s the other thing we all forget.
Helen McCrory: And it’s also really nice to say it genuinely. So often we’ve made films and somebody’s like, ”What are they like to work with?” and you’re “Extraordinary individual” with a lot of subtext in that. The reality is you have to work with these people and then you have to lie about how enjoyable it was to work with these people. So it’s actually nice to not have to lie at all. Genuinely, he is a gentleman.
Robbie Coltrane: There was never anything child actorish about any of those three. There is a sort of child actor to be avoided.
David Barron: It’s the whole supporting cast, too. There isn’t anybody you wish wasn’t there, really. It was just extraordinary.